The Golden Globe Awards and numerous reviews inspired me to finally surrender to the hype surrounding the film, “La La Land,” starring the heartthrob Ryan Gosling as well as the captivating Emma Stone. I plopped down on the leather couches of Cinetopia with a bucket full of buttered popcorn, my body tingling with excitement and high expectations. As a supporter of the arts, I was mostly looking forward to the musical aspect and choreography of the film.

I was blown away by the opening number, featuring an elaborate dance sequence on a stopped highway. Bodies were flung across cars and dancers flipped their way through the first song. The vibrant colors and smiling faces left me dazzled, instantly causing my mood to soar. I was left on the edge of my seat, literally.

Mia, played by Stone, is introduced as an aspiring and unlucky actress living in present-day Los Angeles. She encounters Sebastian, a pianist with a passion for jazz, played by Gosling. The magical film revolves around the two’s struggle to achieve their dreams while their affection for each other blossoms.

Initially, I was confident both Stone and Gosling did not possess vocal capabilities. I assumed they were cast merely due to their rising success in other works like “The Help” and “The Notebook.” I was wrong. Stone possesses a refreshing, softer voice that isn’t overpowering, but pleasant to listen to. Gosling is not only a gifted singer, but an astounding pianist. Shocking, right? Every scene with Gosling on the piano is really him, rather than a double.

I nearly dropped dead with excitement when Gosling and Stone began buoyantly tap dancing in their first dance number together. A musical isn’t complete without tap.

“La La Land” may not have had the ending everyone was longing for, but I enjoyed its realistic conclusion. A message of inspiration and happiness still prevailed. The film successfully resurrected musicals and as the credits rolled, I was certain I would be back to see it again.